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Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Saturday, April 25, 2009

Frances Widdowson and Albert Howard, "Exposing the aboriginal industry," April 25, 2009.

[This is not a review but a "special" by the men who wrote the book. There is a real problem in the vicinity of this discussion, but it is much larger than Widdowson and Howard appear to believe.

For example, the authors imply that Canadian policy encourages Christians to approach myths in the Book of Genesis critically and not to believe that they are "just as valid as scientific theories." Would that it were true, alas.

They conveniently ignore, at least in this brief form of their argument, that Canadian policy on poverty and homelessness downtown is only slightly less disastrous than it is on the reserve.

That policy blindness concerning poverty is mirrored internationally by a system of rich imperial donors and highly indebted poor countries that has left nearly a billion--largely aboriginal people--to starve in a changing climate without clean water and certainly without self-government. From Walkerton to Waziristan, it's a familiar story. The whole self-righteous collection of ideas on the subject stinks.

It may just be, as the present economic crisis suggests once again, that the real crooks are the exalted ones. Blaming lawyers, consultants and corrupt other guys doesn't quite get to the heart of devastating class, race and gender discrimination which we tend to think of as a serious problem--elsewhere.

Richard Nixon's remark that anything the President does while in office is legal has recently been cited in discussions about the prospect of torture prosecutions in the US. This self-serving notion bears a striking resemblance to both the Divine Right of Kings and Papal infallibility. Yet, Widdowson and Howard express the opinion that we gave up at least the former along with blood-letting and burning witches at the stake. Speaking of which, it seems to me that we let the blood of our demons at Guantanamo or Syria, Abu Ghraib or Bagram, in the Vancouver Airport terminal or in a ditch outside of Saskatoon, whichever we think is farther from prying eyes at the moment.

"Exposing the aboriginal industry" is just the most recent in a long line of texts that aim to "civilize natives" so they can lead lives more like ours. If you are among the right race and class, you might not notice what a brutal civilization it is for others. It would certainly be cheaper to allow the old apartheid reserves to "wither away", but what would be a fair disposition of these Canadian allies' legitimate claims to land that has never been ceded?

It is strange that Widdowson and Howard hail the private provision of housing in Canadian as a success story at a time when the disastrously high cost of buying or renting accommodation and a shortage of publicly-funded "affordable housing" are driving more and more Canadians of all backgrounds to live under bridges and in homeless shelters.

Like Widdowson and Howard, I believe that the aboriginal version of this problem is even more serious than its variants in other parts of Canada. But stripping Indian people of their culture and then treating them the way we treat the rest of us is nothing at all like a solution. -jlt]

CALGARY–One of the most pressing problems in Canada today is the terrible social conditions that exist in many aboriginal communities. It is well known that the rates of poverty, substance abuse and violence are much higher for the native population, and that health and educational levels remain far below the national average. Even more disturbing is the fact that the alarming statistics persist despite billions of dollars being spent on programs and services to alleviate these Third World conditions. Why has so much government funding had so little impact?

Fifteen years ago we decided to try to provide some answers to these perplexing questions. The result is Disrobing the Aboriginal Industry: The Deception Behind Indigenous Cultural Preservation, a book that combines our own experiences with 10 years of additional research to investigate all aspects of aboriginal policy. It shows that the reason for the massive policy failure is that current initiatives are being formulated and implemented by a self-serving "industry" that works behind the scenes in aboriginal organizations.

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Wednesday, April 08, 2009

Chantal Hébert , "Environment file slips from radar," Toronto Star, April 8, 2009.

[The environment portfolio isn't the first opposition fumble. Hébert reminds us of the issue of 2-tier health care. Afghanistan is another. We like to tell ourselves that the bad old boys are simply too rich, powerful and numerous for any other viewpoint to prevail. Analytical conversations on this theme here in Nelson have suggested that this may be a generational issue? Maybe it's just an existential part of the human condition. It was suggested in the previous post that Canadians are too polite. Maybe we've been brainwashed to believe that taking an action that would strike fear (of humiliation or of losing an election or both) is immoral. -jlt]

Once the hot seat of the Conservative cabinet, the environment portfolio is well on the way to becoming a question period La-Z-Boy.

In sharp contrast with his two immediate predecessors who were regular targets of opposition attacks, Jim Prentice is lucky if he gets to stretch his legs once over the course of the opposition's daily 45-minute grilling of the government.

Indeed, more often than not these days, Prentice has to rely on the kindness of his own colleagues for a chance to speak up during question period.

Forty days into the session, backbench Conservatives have put more questions to the environment minister than the Liberals and the NDP combined.

  Culture is the emerging hot-button question period issue.

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Thursday, March 05, 2009

Ethan Bronner, "Musical show of unity upsets many in Israel," Common Ground News Service - Middle East. English Edition. 5 March 2009.

TEL AVIV – Achinoam Nini, a singer and peace activist, has long stirred controversy here. Known abroad by her stage name, Noa, she has recorded with Arab artists, refused to perform in the occupied West Bank, condemned Israeli settlements there and had concerts cancelled because of bomb threats from the extreme right. But lately it is the left that has been angry with Nini. Chosen by Israel to represent the country at the Eurovision Song Contest — this year being held in Moscow in May with an expected television audience of 100 million — Nini asked if she could bring along her current artistic collaborator, an Israeli Arab singer, Mira Awad.

The selection committee liked the idea of having both Arab and Jewish citizens in the contest for the first time. But coinciding as it did with Israel's Gaza war and the rise of Avigdor Lieberman, the ultranationalist politician who threatens Israeli Arabs with a loyalty oath, the committee's choice was labelled by many on the left and in the Arab community as an effort to prettify an ugly situation.

A petition went around demanding that the duo withdraw, saying they were giving the false impression of coexistence in Israel and trying to shield the nation from the criticism it deserved. It added, "Every brick in the wall of this phony image allows the Israeli Army to throw 10 more tons of explosives and more phosphorus bombs."

Neither Nini, 39, nor Awad, 33, has been deterred. But since they consider themselves peace advocates, they are a bit surprised. The antiwar movement, they say, seems to have turned into a Hamas apology force. That, together with the political turn rightward in Israel, means that while the two are being sent to represent this mixed and complex society, they also feel a bit orphaned by it.

Read the rest here =>

View the EuroVision performance here =>

Interview with Noa & the palestine singer Mira Awad recording the Beatles hit "We can work it out", a duet included on Noa's album Now (2002). This is part of a special from Dutch television show "2Vandaag" about Noa. Also includes statements made by Noa & Mira on the political arena in the Middle East. (English with Dutch subtitles) Or listen to the song without the interview.

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Friday, January 23, 2009

Ben Lynfield, "Dialogue with Hamas is only path to peace, urges novelist," Independent, January 21, 2009.

David Grossman, the renowned Israeli novelist, issued a pained rebuke to his countrymen over the Gaza invasion yesterday and called for the immediate opening of talks with the militant Hamas movement.

  We must speak to the Palestinians: That is the most important conclusion from the most recent round of bloodshed.
David Grossman

Embarking on what he conceded would be a daunting dialogue with Hamas, which refuses Israel's right to exist, "will contribute more to our security than a hundred planes dropping bombs on a city and its inhabitants", the dovish author wrote in a front-page article in the daily Haaretz.

Grossman accused Israelis of using "sophisticated defence mechanisms and self-righteousness" to avoid recognising the scope of the killing and destruction the army has wrought on Gaza. When this subsides, perhaps Israelis will realise there is "something deep and basic in our behaviour in the region, for time immemorial, that is mistaken, immoral and unwise and that time and again fans the flames that are consuming us", he wrote.

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Saturday, November 01, 2008

"International Day of Solidarity with Palestine/Canadian Complicity in Israeli War Crimes," October 30,2008.

...from Hanna Kawas

You are invited to commemorate the International Day of Solidarity with the Palestinian People in Vancouver, Canada

Join us for the Vancouver debut of the film, Memory of the Cactus by leading Palestinian human rights organization, al-Haq.

A new documentary film revealing the true story behind Israel’s “Canada Park”: A story of destruction and Palestinian dispossession.

Friday, Nov. 21, 2008
7:30 pm (sharp)
SFU Harbour Centre
Labatt Hall
515 West Hastings, Vancouver
Admission by donation
Sponsored by Canada Palestine Association, Vancouver www.cpavancouver.org


Guest Speaker – Dr. Ismail Zayid

Dr. Zayid is a 1948 El Nakba survivor and also a displaced resident of Beit Nouba, one of the villages destroyed to create “Canada Park”. Dr. Zayid will speak on “Canadian Complicity in Israeli War Crimes".Recommend this Post


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"Films by Sobhi Al-Zobaidi at Pacific Cinémathèque," October 29, 2008.

...from Hanna Kawas

Wednesday, November 12 — 7:30pm
Pacific Cinémathèque, 1131 Howe Street, Vancouver


VANCOUVER — Pacific Cinémathèque presents an evening with thoughtful and incisive Palestinian independent filmmaker Sobhi al-Zobaidi. "The importance of cinema is more than political", says al-Zobaidi. "We [Palestinians] must make film a medium through which we speak to each other and the rest of the world. A medium through which we play out our fantasies, hopes and frustrations — reinventing the worlds that are forbidden to us."

Currently working on his doctorate at Simon Fraser University in Vancouver, al-Zobaidi was born in Jerusalem, raised in a Jalazon refugee camp, and educated at Birzeit University in Palestine and New York University in the US. His films address the complex realities of contemporary Palestinian life — the disruptions and humiliations of everyday existence under Israeli occupation, in refugee camps and in the troubled enclaves of the West Bank and Gaza, and the internal fragmentation and division that afflicts Palestinian society.

Al-Zobaidi and his work will be introduced by Jayce Salloum, a Kelowna-born, Vancouver-based media artist of Lebanese descent whose own work, screened at Pacific Cinémathèque on several occasions, often addresses the conflict in the Middle East and its representation in Western media.

FILM BRIEFS


Light at the End of the Tunnel
2001.
A moving documentary in which Palestinian detainees released after years in Israeli custody discuss the difficulties of adjusting to life outside prison. 56 mins.

My Very Private Map
1998.
Palestinians refer to their 1948 expulsion and exodus from the territory of the newly-founded state of Israel as “al-Nakba” – “the Catastrophe.” In this film, made to mark the 50th anniversary of those events, Palestinian subjects express regret at leaving their homeland and also speak of their betrayal by the Arab states and the West. 22 mins.

Looking Awry
2001.

In this ironic short drama, a Palestinian filmmaker (played by al-Zobaidi himself) is commissioned by American producers to make a film about peace between Arabs and Jews in Jerusalem, but finds that violent reality keeps intruding. 30 mins.

About the Sea
2006.
Palestinian voices lament the sea that is no longer theirs. 9 mins.


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Monday, September 08, 2008

Crane and Matten, "Business ethics at the Toronto International Film Festival," September 8, 2006.

...the challenge is obviously to work out a relationship that creates meaningful value for both partners - and takes account of the various stakeholders of each institution.
At the moment, here in Toronto, we are in the midst of the 2008 Toronto International Film Festival (TIFF), which is one of the world's premiere festivals , up there with Cannes, Venice and others. The city is alive with movie folk, big name actors and directors, and excited film fanatics. It's a fun place to be.

Regular readers of the blog and some of our other work will know that we are enthusiastic advocates of the role of movies in enlightening us about various aspects of business ethics. And TIFF 08 is no exception, with a bunch of exciting new films that get to grips with some of the social, ethical and environmental challenges facing contemporary business across the globe. We'll talk about some of these movies in a moment.

But it's not just the movies that are putting corporate responsibility in the limelight at TIFF this year. With increasing commercialisation and corporate sponsorship of the festival, some critics are complaining that the one time "people's festival" has been taken over by big business interests. With priority entry at some venues for sponsors, just flashing your Visa card (Visa is one of the main sponsors) can get you early seating and a place in the special lounge with drinks and refreshments while everyone else has to queue outside. Understandably, not everyone is over-enamoured with the implications of these acts of "good citizenship" by corporations - or at least not when there are such strings attached.

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Friday, June 20, 2008

Melisse Lewine-Boskovich, "In retrospect: 20 years of repair work using theatre," Common Ground News Service, June 17, 2008.

TEL AVIV—Twenty years ago, it was far more trendy and sexy to be developing cross-border projects in Israel. Civil society groups and organisations tended to look past the issues facing majority-minority relations, and it was during this time that I began my work with Peace Child Israel, an organisation dedicating its efforts on the home front. In retrospect, and after seeing Israeli-Palestinian relations deteriorate in ways the organisation’s founders would have never dreamed, I ask myself: Was it worth it? Is it worth it?

If changing socially learned-stereotypes is a worthy goal, then yes.

Peace Child Israel performs original plays for communities and school audiences, and the programme has significant outreach. The bi-lingual plays are developed by teenagers, and reflect the deterioration of Israeli-Palestinian relations.

The surprising and encouraging fact is that these teenagers sit in the same room week after week, and live to tell the tale. The theatre groups survive the challenge. In the early days, 10 years before my time, the activity was ground-breaking; Peace Child Israel’s co-founders David Gordon and the late Yael Drouyannoff created a new commodity in Israel: the use of theatre as a dialogue tool between teenagers.

Yet where once it was commonplace to join such programmes, recruiting participants has become like pulling teeth; such programmes, in the context of Israeli society today, have become stigmatized. But there are still some heroes on the front: a core group of kids, parents, teachers and school principals.

Whether this work was or remains worth it can be seen on the stage itself. When the teens come out for the finale, clapping, singing, cheering each other, one realises that these teenagers are friends. During the course of a play, particularly those produced over the past ten years, an audience member could easily lose sight of this fact. By nature of things, the content is pretty rough. But better rough than a bluff. The mantra at Peace Child is: “It is not what is being said; it is how it is being said that counts.” Nearly everything can be framed in a way that the audience can digest, so censorship is rare.

Peace Child Israel was founded in 1988 with the goal of educating towards democracy, pluralism, and mutual respect between Arab and Jewish teenagers in the State of Israel. In 2003, the organisation developed a two-year curriculum that included three performances for students in the first year, and another six performances in the second. It is this capacity to achieve attitudinal change that makes the effort worth it. And the statistics show that the plays make a difference, so the curtains go up, and go up and go up.

On June 26th, Peace Child Israel alumni will convene at the Jerusalem Theatre. A long-term impact study is being produced and a “Salute to Cooperation” is being organised by a long list of wonderful musicians and actors who are contributing their time and talents to the event. They are coming to salute the heroes, for that is what they are. When most people have lost nearly all confidence in a vision of Israel where Arab and Jews will trust each other and coexist in equality, those taking up the torch of cooperation are indispensable.

Will these teenagers – who are seen as naïve or traitors by their peers – actually make the difference in law, or in the cultural and social change processes in the country? Probably not. Is it worth it to persevere? Emphatically yes. For one thing is clear: Hiba and Elinor know that the people “on the other side” are not monsters when they put the costumes on the rack for the last show. And they’ll take this understanding with them through the course of their lives, telling their children and grandchildren. Peace Child Israel is staying in business because it has something to contribute. And until the values of coexistence are an integral part of the education system, and Peace Child Israel can close shop, every Arab or Jewish teenager who stands on the stage is worth the investment.

Break a leg.

Source: Common Ground News Service, 19 June 2008, www.commongroundnews.org.
Copyright permission is granted for publication.


Melisse Lewine-Boskovich is managing director of Peace Child Israel. This article was written for the Common Ground News Service (CGNews) and can be accessed at www.commongroundnews.org.Recommend this Post


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Saturday, June 07, 2008

Jenin Freedom Theater performs Arna's Children

Recommended by Sam Bahour at ePalestine


Dear friends,

If you are in the WASHINGTON D.C. or BALTIMORE area, I strongly recommend you take the chance to see Arna's Children -- heart-wrenching, but speaks volumes of the deep humanity that still exists in this world.

SALUTING CULTURE AS RESISTANCE as we approach 42yrs of Israeli military occupation,
Sam


THE JENIN FREEDOM THEATRE TODAY

JULIANO MER KHAMIS and DR. MERVAT AIASH
of the JENIN FREEDOM THEATRE present
CULTURE AS RESISTANCE

at the Amercian-Arab Anti-Discrimination Committee (ADC) Convention,
June 14-15


*****

Please join us at these public events in the Washington/Baltimore area:

WASHINGTON:

BUSBOYS AND POETS, 14th and V NW, Sun. June 15th, 7–9:00pm

Screening "Arna's Children", discussion and fundraiser in the Langston Room,
free admission

THE JERUSALEM FUND, 2425 Virginia Avenue, NW, Mon. June 16th, 6:30-8:30pm
Dinner and discussion, $25 admission

BALTIMORE:

MISSION HELPERS CENTER, 1001 W. Joppa Road, Towson, MD, Tue.
June 17th, 7pm

Screening "Arna's Children", discussion and fundraiser, free admission
Sponsored by Baltimore Tikkun, Mission Helpers of the Sacred Heart,
AFSC Baltimore Urban Peace Program, and the Morgan State University
Muslim Students Association


*****


JULIANO MER KHAMIS is a Palestinian Israeli; Jew, Arab, actor, director and political activist born in Israel to an Arab father and a Jewish mother. His film "Arna's Children" is a moving and critically praised documentary about the children's theater founded in the Jenin refugee camp by his late mother Arna—and the fate of 3 of the young troupe members.

"Speechless. Silent. I cannot move. I just sit here, watching the screen, reading the names of Arna's children."
—Arjan El Fassed, The Electronic Intifada

DR. MERVAT AIASH, professor of fine arts at the Arab American University in Jenin, is Chairperson of the Board of The Freedom Theatre. She provides an important leadership model and is a link between the theater and the university community. She understands the role of culture and the arts as social development, healing and resistance to the occupation.

THE JENIN FREEDOM THEATRE was destroyed in 2002 by the Israeli Occupation Forces but in 2006 Juliano returned to Jenin to rebuild and renew Arna's work. The Jenin Freedom Theatre now runs a full program of computer skills, photography, acting, psychodrama, and visiting theatrical productions in the refugee camp. Plans are underway for an accredited drama school to begin in the fall. See www.thefreedomtheatre.org for more information.

For more information or to schedule an interview,
contact Dorothy Zellner, Friends of the Jenin Freedom Theatre
at dorothyzellner@gmail.com or 917 439 3470
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Sunday, April 20, 2008

Charles Jeanes, "History and Identity: must Westerners feel shame and apology for our history?"

I once attended a spiritual May 1st celebration, a synthetic Celtic Beltane and Native traditional dance and meal, where the woman leading us poked gentle fun at Canadians who “wanna-be” anything but white middle-class people but can't escape those markers. She was humorous, accurate, and understanding, describing how it felt for the mostly young members of the gathering. They felt envy for other cultures and wished they had one too. She told us we did have traditions. And she sketched some history.

All the progressive, liberal, fairly-well-educated people in my social circles are secular non-Christians, all are “white” from a European ethnic origin -- and all feel embarrassed by their Western imperial and colonial roots. They are definite that Native Americans or aboriginals anywhere in the world, and Africans and Asians, naturally have to assert pride in their histories and cultures.

I ask Western friends why they do not assert pride in their origins and “our” culture and civilization and history; they expect that I know the answer. Nothing in our history deserves mention in a congratulatory way when balanced against the crimes our civilization has perpetrated in our history of dominance over the globe for the last half-millennium. We have so much to apologize for to other peoples, there is no appropriate room for taking pride in our cultural origins. Shame is called for when we talk to others from outside the traditions and nations of the West.

I reject this simplicity of malevolent Westerners and virtuous non-western peoples; but when I do, I might seem to put myself at risk of inviting the company of truly reactionary and even racist Westerners, the ones who aggressively say that we have “a superior civilization,” or that Christianity is a “better” (truer, higher?) faith tradition. Neither is true for me.

Still, chauvinism ruled out, some of Europe's accomplishments are no small things. Should we in the Western tradition and culture and “civilization” not point out that our sciences,technology, philosophy, or medicines have done some very fine things for humanity? that material wealth spread amongst numerous, educated middle classes is a remarkable accomplishment, and that the democratic government that often goes with such middle classes is praiseworthy? I don't see why not. They are not my accomplishments, but I have every bit as much claim to “pride” in that past as non-Westerners feel for their historical cultures.

At bottom of my reasoning that I owe no apologies for Westerners' crimes against other peoples, and even against ourselves, there is my very rejection of one idea: the idea that I have some responsibility for what my ancestors' civilization has imposed over the world of non-western peoples. No one can play the card of guilty racist Euro-Canadian patriarchal Christian male on me, say I. Not for what others did in history, at any rate. Only what I personally have done in my lived history. I will not accept a role as symbol of the West for others to use as their scapegoat. Responsibility for the acts of my foreparents has not passed to me in my DNA.

I cannot feel a personal debt that I must repay to women or blacks or Natives, the planet, etc.; I can only act in the present to do what I can for redressing historical wrongs that persist, without ever saying I had a hand in perpetrating them. When I act to correct what I think has been wrongly done and persists now, I am not acting out of guilt or sense of responsibility, I am acting from my judgement, weighed by internal and integrated principles of what is right.

If readers can accept this argument, then I think they and I could have a stimulating exchange of ideas about the assets and liabilities of the Western historical contribution to humanity's endlessly fascinating web of relations.

I am grateful to Jim Terral for inviting me to have a place on World Report's blog.

Charles Jeanes is the host of History's Hour (CJLY 93.5 FM).
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Friday, February 15, 2008

Malcolm Guy, Open letter: "Award for tolerance" hides story of discrimination, February 15, 2008.

Montreal filmmaker Malcolm Guy's letter to the Rendez-Vous du Cinéma Québecois on 12 February reveals a diversity of opinion within the Jewish-Canadian community not often acknowledged by the Establishment:

I accepted the invitation from the Rendez-Vous du Cinéma Québecois to join this year's jury in good faith. But after examining in more detail the political and financial basis of the prize I must refuse to have my name associated with it. Behind this noble sounding "award for tolerance" hides a story of intolerance, division and discrimination.

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